and we're working a plan that I'm confident breathes a little life into our longevity and our continuity." But I'm quite grounded now, I have a team of people who are working different avenues.
"I was, in a sense, kind of a little paralyzed initially.
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Still he's working a few angles and making a series of plans a, b, and c. "It's either too expensive, or it doesn't suit fitness in terms of zoning or the space itself."
"That gives me hope that we're going to find another solution, but it's tough, there's nothing in Collingwood for commercial space that suits us," said Grolla. Since putting out a call for help, he said he's received a lot of kind words and offers of support. The current lease agreement expired last year and he's been on month-to-month payments since then, but received notice in February from his landlord to vacate. While he might be able to get more time in the spot, it will be short-term and he's looking for a long-term solution. Past Daily: News, History, Music And An Enormous Sound Archive.A Collingwood fitness centre is appealing to the community for help finding a new home ASAP.Ĭhris Grolla, owner of MVMT fitness and performance centre on High Street, says he may have to be out of his current location as soon as March 31.The ancient art of Indian rāgas freshly reimagined for piano.I’d say odds are good.Ģ1st century African American alternate tunings American Composers audiences authentic performance practice black composers Chamber Music classical music composers conductors early twentieth century Electroacoustic music electronic music electronics experimental music extended instrumental techniques historical jazz minimalism modern music music music scholarship new music performance pianists piano music political music politics vocal music Blogs I Follow The composers (Ruby Fulton, Drew Baker, Michael Johanson, Edward J Hines, Andrea Reinkemeyer, and Takuma Itoh) presented me with yet another research task (also not uncommon with the unusual music that comes my way), that of finding out who these people are and, frankly, if I should file these names away in my future successes file, keep them on the radar in the hopes that they will continue to produce work of this quality. These works are commissions written for them (who else?) and presented here in their world premiere recordings. These machinations stem from the efforts of the Post-Haste Reed Duo consisting of Sean Fredenburg on saxophone and Javier Rodriguez on bassoon. What all these compositions manage to do is to sound as though they were intended to come out exactly as you hear them in this recording (also a daunting and frequently unaccomplished task). The compositions here utilized a variety of strategies, many of which place some serious physical demands on the musicians.
When these two instruments play together one might choose a strategy of having one instrument accompany the other.
Usually these solo instruments are accompanied by a piano or a guitar when they are not a part of a larger ensemble. Die hards like yours truly will seek out and read these (actually very useful notes) but I think most listeners will not make the effort. The only mistake is putting the liner notes one line. Despite the pop art cover (the entire production will be my exhibit A when I propose a law requiring a minimum 12 x 12 packaging for all music and video releases) the music consists of some really solid compositions which send quite a challenge to the artists while leaving the listener enthralled (no easy task). Well, expect virtuosity, expect clever invention, and expect to be entertained. The variety within that definition of a musical style demonstrates the apparently boundless creative ways of working within that style and the limitations of the term in helping listeners know what to expect. These two musicians, both professors at Idaho university, seem to have cast their net into minimalist waters. But when I put this disc in my CD player while on one of my longish drives (we drive a lot in California) I was delighted and mesmerized.
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